The Academy Awards felt as relevant and fresh as they could while yet maintaining all the cheese and slight odor of staleness that marks this large, ponderous institution.
Welcome to the big ‘Getting to Know Me’ post. I’ve noticed a lot of new folks reading my rambles, so I thought I would introduce myself and explain what kinds of things you’ll find here. Below the cut are some samples of the over 200 posts I’ve written that should help introduce you to me and my writing a little better.
Sometimes in media, one component stands out from the whole and is deserving of its own little examination, for many reasons. It might act as a microcosm for what the whole is about, or it might stand in stark contrast to the rest of the whole–‘In a Nutshell’ entries explore some fascinating component of particular … Continue reading “In a Nutshell Entry: Bubbles from ‘The Wire’”
Another thing that sets Candyman above other horror films is the psychological nature of the eponymous ghost: a black artist who fell in love with a rich white man’s daughter, the Candyman’s hand was cut off and rudely replaced with a hook, and he was left chained to tree to be stung to death by bees, sometime around the turn of the century. In short, Candyman is not just a bogeyman of the ghetto, he’s a walking, talking representation of white guilt over the way African Americans were treated in the Colonies over the last 500 years.