In Theaters Now: The Lighthouse (2019)

In Theaters Now entries give insight on films currently in theaters. There is a brief review, followed by a deeper dive with SPOILERS behind the cut.

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Teeny Poster

To paraphrase someone paraphrasing Freud, sometimes a cigar is just a cigar… unless it’s an 80 foot phallus symbolizing man’s hubristic attempt to navigate the tempestuous deeps of the sea and therefore also the human subconscious.

Let’s dive in!

The Lighthouse (2019) is a historical thriller/horror film by the writer/director team of Robert and Max Eggers, fresh off their success of 2016’s jolly lighthearted romp, The VVitch. If you haven’t seen The VVItch please know I just made a joke and with the exception of Black Phillip, it is neither lighthearted nor jolly. The Eggerses have already cemented their reputation as masters of subverting horror tropes with The VVitch, and The Lighthouse delivers more of the same, yet different. Magnificent costumes, an eerie score, and some soon-to-be legendary performances all combine to make an instant classic.

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“More o’ the same, says ye?” 

From the very opening scene, the film establishes itself with an aspect ratio of 1:19.1, which means the image is square. Filmed with a variety of cameras and lenses, including 35mm and some antique equipment dating back to 1918, the resultant effect is distinctive. There was even a little sign on the way into the theater stating, more or less, ‘Yes it is supposed to be that way please don’t tell us there’s something wrong with it.’ Between the peculiar aspect ratio, the black and white photography, stark compositions, and claustrophobic but vivid angles, it feels almost as if you’re watching some brilliant throwback from the dawn of cinema, the age where so many cinematic horror traditions were founded. Another reason I was reminded of that age was Pattinson’s performance, as his wide eyes and shaggy hair reminded me of Conrad Veidt in the immortal Cabinet of Dr. Caligari.

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Fun fact: Cesar the Sleepwalker’s resemblance to Edward Scissorhands started me on my journey to being a film critic. 

The story is fairly straightforward: Ephraim Winslow (Robert Pattinson, sporting a more than passing 19th century Maine accent) has found work for the United States Lighthouse Service and is being dropped off to join Tom Wake (Willem Dafoe, genetically engineered to play this role; if he doesn’t go full Hemingway in the next 10 years we will have failed as a civilization).

The Lighthouse stands on a godforsaken, storm-washed rock infested with stroppy seabirds. The remote environment has already claimed one life, as Winslow is replacing a young man who went mad, claiming mermaids were singing to him. From the moment he arrives, Wake rides Winslow to get to work, quickly establishing a nautically flavored pecking order. Winslow is soon given almost more work than he can humanly do, and resentment blooms between the two men. The sonorous blast of a foghorn, noticeable early on and which should be jarring, inures itself and becomes no more remarkable than gulls crying or waves crashing. Wake gives Winslow task after task and insists they be done to his exacting standard, but the one thing Winslow is forbidden from servicing is The Light.

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Seriously, this movie still looks like a photo from that time period. SO PERFECTLY DONE. 

As the story winds out, it challenges the audience to read between the obvious threads: Is Wake real? Is Winslow? What really happened to the previous employee? How much of Wake’s Old Salt routine is an act, if any? What the hell is up between him and The Light?

Although Winslow manages the punishing routine well enough during his month-long assignment, a bad storm strands him on the island and he, already starting to unravel, comes straight off the spool. But anyone who’s watched the trailer knows that; the real treat is seeing it happen, how, and why. Viewers quickly realize that mysteries abound within Winslow, too.

Fans of H.P. Lovecraft, Algernon Blackwood, Arthur Machen, and the other voices of early 20th century Weird fiction will find plenty to love, as well as the dialogue, which was inspired by both Shakespeare and Herman Mellville. I will say that when the film comes out for home release I will appreciate the subtitles, as I sometimes couldn’t understand the dialogue and certainly missed crucial plot info. Fans of season 1 of The Terror, would also greatly appreciate the film and its depiction of 19th century nautical life.

And now… To the Spoilers!

Continue reading “In Theaters Now: The Lighthouse (2019)”

People Eating Together: AMC’s The Terror (Season 1)

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Great Caesar’s Ghost! 

People Eating Together entries discuss that age-old tradition of people coming together to tear each other apart — Cannibalism! So settle in, maybe grab some coffee or a snack(!), and let’s explore this last social taboo together – because you can’t practice cannibalism alone. 

Sometime in about the year 2007, while bored at my job at a children’s textbook publisher, I fell down a Wikihole about cannibalism.  In between reading about Sawney Beane and Jeffrey Dahmer, I ran across the Franklin Expedition, which is to Canadian history what the Donner Party is to American. The article was fascinating enough, so imagine my excitement bordering on hysteria when I reread the article in 2017 to find that AMC was making a TV show about it. I loved the show, and immediately listened to the novel on which it’s based. There are significant differences which I’ll go into in the spoilers section of the review, but for now let’s focus on reviewing the show.

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“Say ‘cheese’ everyone! Ha Ha, just kidding, we haven’t eaten cheese since 1846 and have forgotten what it tastes like.”

(Note: The Terror is planned as a historical horror anthology. Season 1 deals with the lost Franklin expedition (with supernatural elements) and is based on Dan Simmons book of the same name, but season 2 will be about life in a Japanese interment camp in the US during the Korean war, and stars George Takei at the head of a predominantly Japanese-American cast. After the high bar set with season 1, I’m eagerly looking forward to season 2.)

Continue reading “People Eating Together: AMC’s The Terror (Season 1)”