Quarantine Thoughts: Tiger King

Once finished with what can only be described as a ‘wild ride,’ I realized ‘Ah, so that’s why roller coasters are only like 3 minutes long. The human heart and mind can only take so much.’

Howdy readers! 

Sometimes the only way to deal with a uncontrollable and terrifying situation is to jump feetfirst into something else. In an attempt to manage my near paralyzing fear right now, I’ll be doing my best to blog more often. It’s a win-win: I regain a sense of control over my world, and you can be entertained for however long it takes you to get through a thousand words or so. So let’s dive in! 

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Logline reeeeally doesn’t do it justice.

Tiger King came on my radar through memes. Of course Netflix had suggested it to me, but their suggestions have been wrong before. I’ve been doing a lot of comfort-watching and wasn’t sure Tiger King would be a good follow-up for Howard’s End. 

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In Theaters Now: Black Panther – Five Delightful Things

My auto-correct is trying inform me that Afrofuturism isn’t a word, and it’s wrong because it is and this movie is it.

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Last night I actually left the house and stayed up past my bedtime to go see Black Panther. Currently it sits at 98% on Rotten Tomatoes, so you don’t need me to do an actual serious review of it when there are much better critics out there singing its praises.

However, here are five things I found absolutely delightful and wanted to share.

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In Theaters Now – Call Me By Your Name

Call Me By Your Name is at once beautifully shot, perfectly acted, and possessed of some of the richest visuals I’ve ever seen. It is nominated for a slew of awards, and rightfully so.

It felt strange watching a peak arthouse movie (a bildungsroman about a young musical prodigy falling for an older grad student in 1980s Italy doesn’t get much arthouse-y-er) in a multiplex theater, especially when we already have an arthouse theater down the road that’s still playing The Shape of Water, but the times they are a-changing.

My co-blogger Achariya loved it, devoured the book, and has been looking forward to it since last summer, and although she watched a screener for her most excellent preview earlier this week, we wanted to get the full theater experience.

Achariya: At the end of the movie, I looked around and spotted no fewer than three gay couples (and a few more straight couples) wiping tears from their eyes due to a certain scene. It’s nice to see this at an AMC.

Jen: I know, it was so sweet!

Call Me By Your Name, as mentioned, is a coming of age romance about Elio (Timothee Chalamet), a 17-year-old Jewish musical prodigy summering with his family in their elegant Italian villa. His family are warm, cultured, and incredibly European as they all dine alfresco all the time, read each other 14th century sonnets, and smoke like burning tobacco warehouses.

Every summer the family takes in a grad student for six weeks who helps Elio’s father, an archaeology/antiquities professor, with his notes and projects. Enter Oliver, played by Armie Hammer. Almost from the start, Elio is captivated by the tall, blond, dashing Oliver, who wears his Star of David as easily and overtly as he wears his billowing blue shirt.

I would recommend CMBYN to anyone who loves a good romance amid beautiful settings. The sex scenes are carefully blocked to avoid any full frontal, per the actors’ contracts, but there’s still lots of male nudity on screen, which you would expect in a movie where men get it on. Do not take an elderly, conservative relative to see this film unless you are really hoping to broaden their horizons or kill them with a heart attack.

For a more in-depth discussion involving spoilers, journey under the cut. We are going to demarcate my reaction to the film from our chatter by putting our discussion in italics.

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Early to the Theater: a preview of Call Me By Your Name

I will make no bones about it: if you feel uncomfortable about bisexual male romance, and feel disturbed seeing adoration and longing played out in a messy, direct, and exploratory way, this movie is not for you. Props to director Luca Guadagnino, though, for not shying away from any part of it, not the messiness, nor the aching emotions of longing, loss, and culmination, nor the delicate difficulty of filming experience and inexperience in a way that will undoubtedly freak some people out.

 

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In Theaters Now: The Shape of Water

I want you to know three things about The Shape of Water.

They are, in no particular order, that it is:

  1. Beautiful, lyrical, and absolutely deserving of the buzz surrounding it; the fact that there is so much buzz around it and that people are appreciative of such a daring story is wonderful.
  2. Marvelous, in that it literally contains marvels of all sorts. Acting, effects, imagery, characters, sets, dialogue, music, production, you name it, there is something in this movie to dig into.
  3. Inspiring a much, much longer review from my co-blogger Achariya and I that we will hash out tomorrow and post in the next day or so. I will keep general comments above a cut, but deeper discussion will need to contain spoilers so those will go below the cut.

Man. That was something. I cannot WAIT to write more, but it’s late and this sort of thing requires a proper marination of the brainmeats before anything can be said.