Around Orlando is a new feature here at Late to the Theater, wherein Achariya and I will detail local Orlando flavor. So whether you’re thinking about visiting, moving here soon, or just want to explore from the comfort of the internet, have a seat and take a gander! We will be sure to disclose any goods or services we receive.
Recently I discovered a friend’s fiancée runs an awesome YouTube channel tying together some of my interests – horror, Halloween decor, and living in Orlando!
Say hello to Horror Happenings with the Dead Girl!
The audience came out of the theater. Some were pale, some had reddened eyes, some were crying openly, some hugged and held hands, some just stood looking dazed.
Fred and Daniel Tiger
Currently, the Mr. Rogers documentary Won’t You Be My Neighbor is sitting at a solid 99% on Rotten Tomatoes. There you will find oodles of actual film reviews discussing the technical merits and competencies of the documentary, as well as emotional assessments of its efficacy. I don’t feel the need to belabor the point. See it. Or don’t!
The documentary opened months ago in April at the Florida Film Festival, and I didn’t go. All the showings were sold out, but had I tried I could have gotten tickets.
Once again, Late to the Theater was very graciously invited to the Orlando Ballet. For a write up of Romeo and Juliet, go here. For a write up of Beauty and the Beast, go here.
For the final performance of Orlando Ballet’s 2017-2018 season, Artistic Director Robert Hill decided to do something more experimental than the season’s previous offerings: three different styles of performance. Although they ranged from modern/experimental to classical, all were united by the common theme of love.
Some guest artists also lent their considerable talents to the show: New York based choreographer Jessica Lang, and local chanteuse Sisaundra Lewis.
Note: Normally, Late to the Theater’s resident Ballet Expert Achariya reviews performances. As she is on a well-earned family vacation, Jen attended the Saturday night performance of Arcadian Broad’s Beauty and the Beast and is writing up this review.
The Dinner Scene – Courtesy of Michael Cairns and Orlando Ballet
Overall, the performance was an absolute delight and comes highly recommended. The choreography was playful and even cheeky while still doing honor to the balletic tradition, the costumes and sets were creative but still functional, and the story exciting and innovative while still recognizable to the audience as a well-known and loved fairy tale. I found myself wishing I’d known beforehand what an uplifting and charming evening I was in for so that I could spread the word to friends, family and coworkers looking for a more sophisticated kind of family night.
(Although Orlando Ballet originally presented this ballet in 2016, I am entirely unfamiliar with that performance and can only speak to the quality of this production and their previous piece, Romeo and Juliet. I will also assume the reader is already familiar with the Disney versions of Beauty and the Beast, from which the ballet is inspired.)
Today, Achariya and I are going to see Romeo and Juliet performed by the Orlando Ballet. We interviewed Artistic Director Robert Hill and principle dancer Chiaki Yasukawa a few weeks ago and you can read the whole interview here.
It goes without saying we are BEYOND excited!
To honor both the ballet and Black History month, please check out this trailer for Misty Copeland’s documentary, A Ballerina’s Tale, available on Netflix.
And if you’re already familiar with Misty, here is a video showcasing some more up and coming ballerinas of color.
