After some thought, I realized the enormity of what was being shown and why I don’t get it. It’s because every English kid grows up hearing about this moment. – Jen
Jen and I had drastically different reactions to Gary Oldman’s Anglophilic Oscar-bait movie, Darkest Hour. For various excellent reasons, Jen had reservations about it. For various other reasons, I liked it. Because of that, we thought we’d split the review into two parts, and you can sort out for yourselves whether it’s worth spending money on. As always, we don’t hesitate to mention spoilers.
Welcome to Horror Movie Month here at Late to the Theater! Once a year we focus on one of our absolute favorite things, horror movies! For the entire month of October we’ll review at least two movies a week, some old, some new, and usually fitting into a weekly theme. So pop the corn, pour yourself a glass of whatever, and come along for the ride! I’ll do my best to avoid spoilers!
Ironically titled entry because between the horrifying news last week and being out of town on a work trip, I sort of forgot to review The Forgotten. Apropos, considering the film’s subject matter, although the film itself definitely stuck in my mind. Shall we? Let’s!
Welcome to Horror Movie Month here at Late to the Theater! Once a year we focus on one of our absolute favorite things, horror movies! For the entire month of October we’ll review at least two movies a week, some old, some new, and usually fitting into a weekly theme. So pop the corn, pour yourself a glass of whatever, and come along for the ride! I’ll do my best to avoid spoilers!
This week’s theme is one coined by dear departed Roger Ebert: it’s Dead Teenager Week! So strip down to your skivvies and dive into the moonlit water with me! I totally got into my dad’s liquor cabinet and stole some of his beers, and the kids from the next school over are meeting us down by the lake where Old Man Crumbles was last seen fishing before he killed that busload of nuns with an axe…or something…
Orlando and the rest of the Southeast was recently lambasted by Hurricane Irma, and we were very, VERY fortunate that it had calmed down to a Category 3 and lost strength as it crept up the country’s phallus. Millions are still without power, including civic infrastructure (you never miss streetlights until you don’t have them and realize not everyone knows what to do when they go out) and businesses. The islands were trashed, as the news footage has shown. Apparently Jose’s still out doodling around in the Atlantic, so until that goes away we won’t really be able to unclench and get on with things.
Happily my power only flickered, although I was without internet until Tuesday night and my yard was full of branches.
He was right, I did float.
So fitting that one of my favorite stories involving a giant storm hits theaters just as a giant storm hits my state. ART IMITATING LIFE.
As far as IT goes, I enjoyed what was onscreen, but I can’t help but miss everything that didn’t make it, and lament some of the bigger changes. I’ll put these behind a cut to to avoid posting spoilers, but if you’ve seen the movie and want to discuss please jump in!
Longtime readers of my blog are familiar with my constant complaint that quality horror movies are few and far between. It probably makes me a snob, but the older I get the less interested I am in spending time watching something for the sake of supporting the genre. I just don’t have the patience for fountains of gore and crying teenagers in their underwear unless there is an intelligent twist on it, such as Cabin In the Woods or It Follows.
Enter Under the Shadow.
The UK’s entry for foreign language film for the Oscars, it was somehow not nominated. I’ve no idea why, and it’s a shame because this film isn’t just a great scare, it’s important. As I mentioned, intelligent horror films are few and far between, and one with such a riveting premise as Under the Shadow is doubly notable. It’s especially worthy of promotion as the world moves into a more xenophobic phase because it is about precisely that: superstitious thinking.