Welcome to Horror Movie Month here at Late to the Theater! Once a year we focus on one of our absolute favorite things, horror movies! For the entire month of October we’ll review at least two movies a week, some old, some new, and usually fitting into a weekly theme. So pop the corn, pour yourself a glass of whatever, and come along for the ride! I’ll do my best to avoid spoilers!
Ironically titled entry because between the horrifying news last week and being out of town on a work trip, I sort of forgot to review The Forgotten. Apropos, considering the film’s subject matter, although the film itself definitely stuck in my mind. Shall we? Let’s!
The IMDB description for Get Out is comprised of eleven hilariously understated words:
“A young African-American man visits his Caucasian girlfriend’s mysterious family estate.”
Eleven words that anyone with a pulse and/or functioning intellect would understand to be incredibly complex and full of subtextual nuance, especially in the USA.
Chris, a successful photographer in New York, takes a weekend trip with his girlfriend Rose to meet her family at their estate in the country. The trip is off to a troubled start when he asks if her family knows he is black, a point she glosses over as unimportant. She just can’t believe her family would care about such things! Obviously Chris, having a little more experience with such things, has misgivings.
Yeah, he’s right.
Lots of people will go into the theater expecting a horror movie. They will get one, and walk out sated on violence, witty dialogue, and thrilling suspense. It has a 99% on Rotten Tomatoes (I feel very proud that I guessed the one bad review was by Armond White). They will also get a brilliant and subtle psychological thriller that unpacks a variety of racial tensions in the US without doing a disservice to the audience’s intelligence.
Although the action and violence are well-done, for my money the awkward social situations were where the movie really came to life, particularly the dinner scene with Rose’s prep-school/ivy league psycho brother. So did a heartbreaking and also terrifying scene with the family maid, Georgina. Overall the tone in the film is tense and foreboding, and although there are jokes, they are of the nervous laughter type and mostly come from Chris’s interactions with Rose’s vast number of elderly white relatives or Chris’s best friend Rod.
You should totally go see Get Out. Great performances and tight writing all around. I suspect it will be a sleeper hit, and I cannot wait to see what writer/director Jordan Peele, of Key and Peele fame, does next.
And just because it’s Friday, here’s one of my favorite skits of theirs, which showcases the utterly bugnuts flavor of their comedy, if you are somehow unfamiliar.
My new life goal is to become a character actress just so I can play a creepy white person in Peele’s next movie. I think I’ve got a pretty good shot at ‘scary bar hag’ at least!
Today I’d like to tell you about two movies I’ve watched recently, both starring actors in their twilight years, who put in a hell of a great performance at not being what they seem.
Lately, I’ve been keeping myself busy a lot. Keeping the ship of my mind from dashing on the rocks of despair and disgorging its precious cargo of sanity (and hotpants!) has become my full-time job, on top of my full-time job, and also writing, my other full-time job.
Keeping busy can be a lot of things – reading, writing, working out, cooking, seeing friends, and of course, watching TV shows and movies.
Today I’d like to tell you about two movies I’ve watched recently, both starring actors in their twilight years, who put in a hell of a great performance at not being what they seem. There will be NO spoilers today!
I would definitely recommend Hush if you’re looking for an intelligent (despite the few plot holes) thriller with some strong, likeable characters and performances.
October is Horror Movie month, where we let down our hair and celebrate all things macabre and scary! Not that we don’t during the rest of the year, but still… HORROR MOVIES! People who don’t like horror are encouraged to check back November 1st for less bloody and/or disturbing films. For everyone else, let’s put on our galoshes and WADE INTO THE MIRE!
Note: Due to exhaustion on the author’s part, today’s entry, which was actually supposed to be published last Friday, will be shorter than usual. Rather than wait and agonize over an ever-growing backlog, I’m finishing this entry and publishing it Monday. But don’t worry – I’ll be writing plenty of posts for Werebeast Week!
Hello and welcome to Hell Is Other People* week here at Late to the Theater! This week’s selections are all about the biggest threat facing modern mankind –other people. All this week’s selections take place in Suburbia, and while they might feature supernatural flourishes, people tend to be the at the root of the problem. So throw some plastic flamingos on your lawn and turn up the music; we’re going to get a visit from the concerned people at our HOA**!
Today’s entry is 2016’s Hush, a horror thriller by the husband and wife team of Mike Flanagan and Katie Siegel. In the interest of discussion, it will contain spoilers!
The premise of Hush is simple: a woman has to survive a siege on her house from a sadistic killer. Maddie Young is a writer who’s moved to an isolated house in the woods to work on her second novel. She’s plugging right along when a crossbow-wielding lunatic shows up and traps her inside. It sounds formulaic and like nothing you haven’t already seen if you’ve been watching horror movies for the last twenty years, but there’s a fascinating twist, one that keeps the movie interesting despite the flimsy plot: