I would definitely recommend Hush if you’re looking for an intelligent (despite the few plot holes) thriller with some strong, likeable characters and performances.
October is Horror Movie month, where we let down our hair and celebrate all things macabre and scary! Not that we don’t during the rest of the year, but still… HORROR MOVIES! People who don’t like horror are encouraged to check back November 1st for less bloody and/or disturbing films. For everyone else, let’s put on our galoshes and WADE INTO THE MIRE!
Note: Due to exhaustion on the author’s part, today’s entry, which was actually supposed to be published last Friday, will be shorter than usual. Rather than wait and agonize over an ever-growing backlog, I’m finishing this entry and publishing it Monday. But don’t worry – I’ll be writing plenty of posts for Werebeast Week!
Hello and welcome to Hell Is Other People* week here at Late to the Theater! This week’s selections are all about the biggest threat facing modern mankind –other people. All this week’s selections take place in Suburbia, and while they might feature supernatural flourishes, people tend to be the at the root of the problem. So throw some plastic flamingos on your lawn and turn up the music; we’re going to get a visit from the concerned people at our HOA**!
Today’s entry is 2016’s Hush, a horror thriller by the husband and wife team of Mike Flanagan and Katie Siegel. In the interest of discussion, it will contain spoilers!
The premise of Hush is simple: a woman has to survive a siege on her house from a sadistic killer. Maddie Young is a writer who’s moved to an isolated house in the woods to work on her second novel. She’s plugging right along when a crossbow-wielding lunatic shows up and traps her inside. It sounds formulaic and like nothing you haven’t already seen if you’ve been watching horror movies for the last twenty years, but there’s a fascinating twist, one that keeps the movie interesting despite the flimsy plot: